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Answer question/ Key works |

Answer question/ Key works

| May 1, 2016

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There are two questions, please write each one in two pages. For this essay, you don’t need use any format and put tittle on, just start at begging.
This paper should revolve around a thesis. You must support your thesis. Please ask me if you have any questions. Thank you.

1. Both Caravaggio%u0432%u0402%u2122s The Calling of Saint Matthew of 1599%u0432%u0402%u201C1600 and Jacques-Louis David%u0432%u0402%u2122s
The Death of Marat of 1793 make appeals for the devotion of their viewers. Describe the
different devices%u0432%u0402%u201Dthematic, stylistic (including the emulation or rejection of previous
paintings or painting conventions), presentational (including details of the site or sites where
the works were seen)%u0432%u0402%u201Dby which each painting voiced its call to its specific audience, or
audiences. How did each work hope to forge a connection between their audience(s) and
some higher value or being, such as the divine (as that ephemeral entity was reconceived by
Caravaggio during the Counter-Reformation) or the French Revolution? Incorporate into
your answer some of Crow%u0432%u0402%u2122s observations about David.

2. Both Ambrosius Bosschaert%u0432%u0402%u2122s Bouquet in an Arched Window of c. 1620 and Jean-Baptiste
Martin, View from the Palace of Versailles of 1688 offer, simultaneously, images of
proximate things and a panorama of a distant expanse. How and why does each picture
manage to balance near and far, recognizing their differences while also positing possible
connections between them? How does each picture represent a certain %u0432%u0402%u045Alogic%u0432%u0402%u045C (system of
picture making), and why is each such %u0432%u0402%u045Alogic%u0432%u0402%u045C appropriate for their respective viewers?
What action, if any, do the pictures prompt their viewers to attempt to perform? Include in
your essay insights from J. Herbert, Schama and (optionally) Bryson.


Category: History

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